Dancehall 101 · Lesson 3 of 9
Dance and Movement
The moves, dancers, and dance floor that gave the genre its name.
Dancehall is, literally, a dance culture first. The genre takes its name from the physical space — the dancehall — where dancers gathered to move to sound systems, and from the earliest days the dance floor was as much a stage as the sound system booth. Dancers develop and popularize specific named moves that spread from a single dance floor to become nationwide, and eventually global, phenomena.
Individual dancers have historically held the same star status as recording artists. Gerald "Bogle" Levy, the dancer for whom Buju Banton's 1992 hit "Bogle" is named, is one of the most influential figures in dancehall dance history, credited with originating and popularizing multiple signature moves before his death in 2005. Dancers like him didn't just interpret the music — they shaped its rhythm, since producers and artists often built songs around moves that were already catching fire on the dance floor.
Dance in dancehall is improvisational, competitive, and constantly evolving — new moves emerge from clubs and street dances almost every year, spread today via video and social media the way they once spread by word of mouth and VHS tape. It is one of the clearest throughlines connecting 1980s dancehall to the genre's present, since the dance floor remains the place where the culture renews itself.
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Related artists
Angie Angel
Jamaican female deejay (toaster) active from the late 1980s onward, best known for her platinum UK jungle remix of "Agony" and for blending a hard-edged dancehall delivery with Rastafari-influenced conscious lyrics.
Bob Marley
The defining figure of reggae music and a global icon of Rastafari culture, Pan-Africanism, and social-justice songwriting, best known as frontman of Bob Marley and the Wailers.
Buju Banton
One of dancehall and reggae's most influential deejays, whose 1995 album "'Til Shiloh" is widely credited with helping steer 1990s dancehall toward a more conscious, Rastafari-rooted sound; a Grammy winner whose career has also been marked by the internationally condemned song "Boom Bye Bye" and a 2011 US drug-trafficking conviction.
Capleton
Jamaican reggae/dancehall deejay known as "The Fireman," "King Shango," and "The Prophet" — a leading figure, alongside Buju Banton and Sizzla, in dancehall's 1990s turn back toward Rastafari-rooted, socially conscious lyrics.
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